The
Ariadne Capital Journal was founded in September 2001
as an information and communication tool for our network
and members.
The Journal combines our comprehensive events listings
and recruitment service with industry comment, thought
leadership articles, and interviews with investors and
entrepreneurs, as well as profiling companies who we
believe have innovative or groundbreaking assets.
With this issue we are
launching a new feature to get the input of our readers
on emerging technology. This month we are offering
a prize draw to two people who respond to this month's
surveys on:
Translution
Survey - The hosted services provider that
operates the best computer aided translation technology
available on the market
Otodio Survey
- The global digital radio text delivery standard
The winners will be randomly
chosen from all survey participants and will receive
a pair of tickets to an upcoming London Symphony Orchestra
performance:
Sunday 24 April 7.30pm: Debussy Prélude
à l'après-midi d'un faune / Bartók
Violin Concerto No 2 / Rimsky-Korsakov Scheherazade
The winners will be showcased
in the next issue of the Ariadne Capital Journal.
Sun 24 Apr 2005 7.30pm
Barbican Hall, London
Julia Fischer
Photo: Tom Specht
DEBUSSY Prélude
à l’après midi d’un faune
BARTÓK Violin
Concerto No 2
RIMSKY-KORSAKOV Scheherazade
Emmanuel Krivine conductor
Julia Fischer violin
Inspired by the
fabled story-teller of the 'Arabian Nights', Rimsky-Korsakov's
orchestral showpiece Scheherazade is a glitteringly
exotic evocation of the magic of the Orient. No less
atmospheric is Debussy's response to a Mallarmé
poem about the hazily erotic summer reveries of a mythological
half-man-half-goat, music that mixes the precise with
the vague to intoxicating effect. Bartók's Second
Violin Concerto, composed in the late 1930s, is a work
whose typically intense lyricism naturally encompasses
pathos and folk-like exuberance.
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Ariadne
Capital Journal - Through the Maze Volume
5, Edition 1
